Lana Del Rey, "Doin' Time"


Lana Del Rey"Doin' Time"Sublime OST (out soon on Universal)If you grew up in California in the early 2000's, it was just about impossible to get in someone's car or go to a party that wasn't playing one of those two Sublime albums. Evidently, the same was true in wherever Read more

Images & Words: Stormzy, "Vossi Bop"


Stormzy"Vossi Bop"Digital SingleAfter a little while away, the London kingpin looks to be getting back in the game. "Vossi Bop" is a perfect comeback track because it is such a pure distillation of what makes Stormzy a true-one off. Over a tasty, yet simple beat, Big Mike goes in Read more

The Round-Up: The Best Songs of 2019 (1st Quarter)


Even though we're a solid week into the second quarter, better late than never right? Here's a quick round-up of some of my favorite songs of the last three months. To keep numbers manageable, I didn't include anything from any of my favorite albums list and prioritized songs I Read more

The Round-Up: The Best Albums of 2019 (First Quarter)


Gah, I can't believe we're already 25% through 2019. That said, Spring is in the air, and we've enjoyed an excellent, diverse crop of music during these first three months. Have a look at some of my favorite LPs of the year so far in no particular order. Dawn Richard
 “New Read more

Chief Keef, "Ain't Gonna Happen"


Chief Keef "Ain't Gonna Happen" GloToven (Glo Gang / RBC) The Chicago stalwart's new project with the legendary Zaytoven is unsurprisingly full of weird and wacky sounds, moving in innumerable unexpected and exciting ways. Its most powerful moment is its starkest, as a heartbroken Keef floats freely over Zay's gorgeous piano. "Face dried Read more

Hot Jam of the Day (06.03.13): Disclosure, “When A Fire Starts to Burn”

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Disclosure
“When A Fire Starts to Burn”
Settle (out 06/04 on PMR)

In the next few hours, brothers Guy and Howard Lawrence are going to be unleashing their disgustingly fresh debut LP on the masses. In celebration of Settle, we are going to devote all the Hot Jams of the Day this week to the diverse, devastating LP. After a number of listens over the last week, I am convinced that this is not only the best album I’ve heard this year, but it also has the potential to be better than anything I’ve heard in the last couple.

Let’s start “Disclosure Week” off right, with its explosive lead track. Riding a sample that is reminiscent of a minister or motivational speaker (possibly from inspirational speaker and ex-NFL football player, Eric Thomas), “When a Fire Starts to Burn” harkens back to the Brothers’ roots in house music.

The repetitive sample is kept fresh by an undulating, wonky deep synth line and stays on-track via an unrelenting backbeat. The song’s magic comes from the way that Guy and Howard continue to deftly add new ingredients to the mix without losing its mantric quality. More than anything, it’s just an absolute banger, and you can almost feel the track’s sweat dripping as it builds and swells.

As quickly as it catches fire, it burns out — leaving the listener scrambling to start the track over. It’s a direct, satisfying start to the album that offers very few clues into the melodic, sonic, and emotional depth Settle contains. This one is already burning up dance-floors in the UK and Europe, and should be doing the same in the States.

Hot Jam of the Day (06.02.13): Kevin Gates, “Roaming Around”

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Kevin Gates
“Roaming Around”
Digital Single

This year, Baton Rouge’s Kevin Gates rose as one of the most fascinating, unique voices in hip-hop today. Combining Future’s heart-on-sleeve vulnerability with top-notch lyricism, the 27-year old released one of the best mixtapes of the year (The Luca Brasi Story). His J.U.S.T.I.C.E League-assisted new single is another example of his versatile, unique flow and ear for a hook, as Gates expertly weaves fractured, disjointed couplets over heady, reflective soundscapes. He’s one of the new breed of MCs (Future, Lil’ Durk) who are re-examining auto-tune with impressive results — using the vocal processor as an instrument, rather than a crutch.

Images & Words: Jacques Greene, “On Your Side” (f/ How to Dress Well)

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Jacques Greene
“On Your Side” (f/ How to Dress Well)
On Your Side (out 07/01 on LuckyMe)

Check out the fascinating interactive video from Canadian production whiz, Jacques Greene, and fractured, R&B crooner, Tom Krell (aka How to Dress Well). The track itself is fire, melding Greene’s moody, celestial production with Krell’s emotive falsetto, but the video is very cool as well. Watch it out on Greene’s website and stream the track below.

Stream This Shit: Disclosure, “Settle”

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Disclosure
Settle
Out 6/4 on PMR

THE WAIT IS OVER! After 3 years of brilliant singles, unfuckwitable remixes, and an EP or two, Guy and Howard Lawrence are finally ready to unleash their debut LP. I first wrote about them back in 2011, and it’s amazing to see how far these youngsters (the younger Lawrence, Howard, was born in 1994) have come in just two and a half years.

While I’m physically restraining my fingers to hold back the wild hyperbole, at first listen, I can say that I haven’t been this impressed by ANY other album released this year. Waving goodbye to the pesky post-dubstep title, the Surrey-based duo pulls from dance, two-step, soul, deep house, hip-hop, pop, garage, and everything in between to create a compelling sound that is all their own. I just can’t recommend this strongly enough.

Grab the stream from the world’s best newspaper, The Guardian.

Still not convinced, check out the clip for the searing new single, “When A Fire Starts to Burn.”

Hot Jam of the Day (05.23.13): The Weeknd, “Kiss Land/John Carpenter”

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The Weeknd
“Kiss Land/John Carpenter”
Kiss Land (out this year on XO/Republic)

@HowToDressWell 17 May: dude this guy from the weeknd is taking a ton of drugs and seems really homesick i hope he’s ok tho 

This tweet from How to Dress Well’s Tom Krell about sums up the lyrical content of the dubiously-named title track from Abel “The Weeknd” Tesfaye’s insanely-awaited proper debut album. However, it doesn’t begin to sum up the majesty of the Canadian’s harrowing, 8-minute gem. Simply put, it’s the best thing he’s released since his breakthrough mixtape, House of Balloons, ending a 12-month run of listless singles and anonymous features, which felt like the work of a spent force. Even looking back at his three 2011 mixtapes, you could feel him tiring, culminating with a string of lifeless new tracks released last year.

That said,  Tesfaye sounds rejuvenated here, bringing back the fun and sexiness of his early work. He clearly sees himself as a tortured artist, but make no mistake, his songs need to stay fun and sexy. Or else, his eye-rolling woe-is-me’s (“I don’t got any friends”) and extreme misogyny/ughhhhh innuendos (“You can meet me in the room where the kisses ain’t free. /You gotta pay with your body”) are simply insurmountable. His tracks are always going to be problematic, but when he strikes a balance (like here), he can be beguilingly brilliant.

Hot Jam of the Day (05.22.13): Julianna Barwick, “Forever”

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Julianna Barwick
“Forever”
Nepenthe (out August 20 on Dead Oceans)

As you’ve probably realized, I’ve been horrifically behind recently, and over the next few weeks, I’m going to make a real push to get caught up. I can’t think of a more beautiful way to start my comeback than the ornate, breathtaking lead single from Julianna Barwick’s fourth LP, Nepenthe.  As if she needed a hand in making her music even more dulcet and cinematic, Barwick recorded the album in Iceland alongside Sigur Rós producer, Alex Somers — a man who knows a thing or two about crafting impossibly celestial albums.

Though the album’s lead single doesn’t eschew her signature sound — layered vocals, mantric quality — it feels more collaborative than her previous work, thanks to the subtly stunning guitarwork from múm’s Róbert Sturla Reynisson and Somers’ orchestral filigree. Nepenthe is Barwick’s first time recording an album with others, and though she’s spoken about how strange it was to do, it looks like a masterstroke. “Forever” resolves itself with one of the most crushingly gorgeous climaxes of the year, which hints at what a truly special album Nepenthe looks set to be.

Images & Words (NSFW): Action Bronson, “Strictly 4 My Jeeps” // ASAP Ferg, “Work” (f/ A$AP Rocky, Trinidad James, Schoolboy Q, French Montana)

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A couple of NYC’s best dropped videos this week. The first is your typical Action being Action clip, and the second is your classic NYC crew cut. The AB one is probably NSFW.

Action Bronson
“Strictly 4 My Jeeps”
Saaab Stories (out in June)

A$AP Ferg
“Work” (f/ A$AP Rocky, Trinidad James, Schoolboy Q, French Montana) (Remix)
Original Appears on Lord$ Never Worry (out now on Polo Grounds)

Hot Jam of the Day (05.20.13): Boardwalk, “I’m To Blame”

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Boardwalk
“I’m To Blame”
Boardwalk (out later this year on Stones Throw)

Over the past couple of years, I’ve written extensively about my love for dreamy Ontario-based duo Memoryhouse, so it comes as no surprise that I would sa-fuckin-woon over the decidedly MH-ish debut single from these newly-signed Angelinos. Amber Quintero’s breathy vocals glide effortlessly over alluring electric piano and a languid guitar line. Though it’s not going to blow you over at first, it’ll burrow its way in, gently inviting you to drift off to sleep. It easily could have been an outtake from Memoryhouse’s perfect debut EP, The Years, and I am NOT mad about that.

Thanks to Tiny Little Rockets for the tip.

Hot Jam of the Day (05.17.13): Mirage, “Let’s Kiss”

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Mirage
“Let’s Kiss”
After Dark 2 (out now on Italians Do it Better)

Because Johnny Jewel sums it up better than I ever could, here is the Chromatics/Glass Candy/Desire/etc mainman on the lovely, synth-jam, “Let’s Kiss.” He also talks about the long-awaited follow-up to IDIB’s legendary compilation, After Dark. Thanks, GvB.

“Let’s Kiss” was written the same week as “Under Your Spell” in November 2008. After a bizarre & beautiful twist of fate, I walked into a remote bar in Montreal where I met the love of my life. The next morning… Ida & I had to leave. We flew to France for a handful of sweaty club shows. On the train out of Paris, I realized my whole world had been permanently turned upside down. The rain was crashing against the windows… & I decided I wanted to make a record that felt like that moment frozen in time… “For Ever Ever”. That’s when After Dark 2 was born. The last five years have been a blur of art & parties. This record represents the people we’ve connected with along the way…in Moscow, in Mexico, in Barcelona, in London, in Portland, in Montreal, in Melbourne, in Houston, in Berlin, in Beijing, in Los Angeles, in Dublin, in Athens… I am so excited to finally be sharing it with you. In 20 minutes, Ida & I get on a plane to Warsaw for our first tour overseas with Chromatics. Even though she is on crutches thanks to a brutal Roller Derby pile up on Sunday… we can’t wait to see all of you again… it’s been way too long. After Dark 2 is out this Friday. 

It’s 78 minutes & 16 seconds.

See you on the train!
xo
Johnny Jewel”

Hot Jam of the Day (05.16.13): Mikky Ekko, “Disappear”

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Mikky Ekko
“Disappear” (Ruff Demo)
Digital Single

The new single from the Nashville-based crooner is a surprisingly esoteric turn from an artist who seems on the cusp of breaking through (due to his feature on RiRi’s mega-smash “Stay”). The velvet-voiced Shreveport-native sounds surprisingly Panda Bear-ish, plaintively emoting over a mostly-stark, cineamtic arraignment that builds to a brief, powerful climax. Lyrically, it’s basically a rehash of Snow Patrol’s uber-ode to spooning “Chasing Cars,” but that doesn’t stop it from being an affecting, effective piece of balladry.