Lana Del Rey, "Doin' Time"


Lana Del Rey"Doin' Time"Sublime OST (out soon on Universal)If you grew up in California in the early 2000's, it was just about impossible to get in someone's car or go to a party that wasn't playing one of those two Sublime albums. Evidently, the same was true in wherever Read more

Images & Words: Stormzy, "Vossi Bop"


Stormzy"Vossi Bop"Digital SingleAfter a little while away, the London kingpin looks to be getting back in the game. "Vossi Bop" is a perfect comeback track because it is such a pure distillation of what makes Stormzy a true-one off. Over a tasty, yet simple beat, Big Mike goes in Read more

The Round-Up: The Best Songs of 2019 (1st Quarter)


Even though we're a solid week into the second quarter, better late than never right? Here's a quick round-up of some of my favorite songs of the last three months. To keep numbers manageable, I didn't include anything from any of my favorite albums list and prioritized songs I Read more

The Round-Up: The Best Albums of 2019 (First Quarter)


Gah, I can't believe we're already 25% through 2019. That said, Spring is in the air, and we've enjoyed an excellent, diverse crop of music during these first three months. Have a look at some of my favorite LPs of the year so far in no particular order. Dawn Richard
 “New Read more

Chief Keef, "Ain't Gonna Happen"


Chief Keef "Ain't Gonna Happen" GloToven (Glo Gang / RBC) The Chicago stalwart's new project with the legendary Zaytoven is unsurprisingly full of weird and wacky sounds, moving in innumerable unexpected and exciting ways. Its most powerful moment is its starkest, as a heartbroken Keef floats freely over Zay's gorgeous piano. "Face dried Read more

Hot Jam of the Day: The Weeknd, “Drunk In Love” (Remix)

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The Weeknd
“Drunk in Love” (Remix)
Digital Single

We’ve long established that Abel Tesfaye is at his best when he is at his worst, and suffice it to say, the Bad Guy’s back on this exhilarating/despicable take of Beyoncé and Jay-Z’s flaccid boner jam. The original doesn’t work because it lacks any semblance of real friction or chemistry between its architects, resulting in a track that feels as if it was conceived in a boardroom rather than a bedroom. Tesfaye strips away the corporate synergy and aims straight for the jugular, weaving lascivious, Weeknd-y tales of doing terrible things to coked out models with the kind of gleeful abandon that Jayonce’s handlers would pay millions for.

And, when you get right down to it, it’s obvious why the Toronto native’s version is such an upgrade. The original’s lyrics were written by a bible thumping zillionaire and her 44 year-old CEO husband. How hot can that possibly fucking be? I’ll bet on the version that was penned by a 24 year-old R&B Lothario, who is single, hangs out with Drake, and has spent all of his brief career telling us how few fucks he gives.

Hot Jam of the Day: Small Black, “Lines of Latitude” (f/ Frankie Rose)

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Small Black
“Lines of Latitude” (f/ Frankie Rose)
Real People EP (out 04.01 on Jagjaguwar)

Since the inevitable bursting of the chillwave bubble, it’s been fascinating to see the diaspora its core artists have undergone. Ironically, one of the original scene’s least interesting groups has quickly grown into one of the most interesting post-chillwavers. On their underrated 2013 LP, Limits of Desire, the Brooklyn-via-Chicago’s Small Black reinvented themselves as a moody, ultra-serious 80’s synth pop outfit. And, by god, it worked. The group ratchets up the drama even more on this starry-eyed new single, nailing that restless, listless nostalgic vibe that is so easy to get swept away by.

Hot Jam of the Day: Shlohmo x Jeremih, “No More”

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Shlohmo x Jeremih
“No More”
Forthcoming Collaborative EP (out Feb ’14 on WeDidIt/DefJam)

Looks like last year’s unstoppable, “Bo Peep (Do U Right),” was just the tip of the iceberg. The weirdo R&B superfriendz are back together and set to unleash a proper EP on the unworthy public. While the wait continues for a proper follow-up to 2012’s still-perfect, Late Nights with Jeremih, this will more than suffice, as Jeremih’s expressive, dexterous tenor is the perfect bedfellow for the LA-native’s tweaked, molasses-soaked production. “No More” is perfect example of why they work so well together, as Chicago’s finest (sry, Kellz) expertly weaves in between the chinks in Shlohmo’s choppy, slithering arraignment. Delish.

Images & Words: SOHN, “Artifice”

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SOHN
“Artifice”
Tremors (out 04.07 on 4AD)

Another day, another album to get ridiculously excited about. Today the sensitive British-born, Vienna-based R&B/pop vocalist announced that his highly-anticipated debut LP finally has a release date! Considering he’s been releasing tantalizing singles since early last year, April seems just around the corner. If that wasn’t enough, he also graced us with a lush new track and a dramatic, slow-motion visual that is reminiscent of that classic Wax video from the 90s. Good vibes all around!

Hot Jam of the Day: Ciara x Future, “Anytime”

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Ciara x Future
“Anytime”
Digital Single

If I was still eligible to go prom, this would be the ideal last song. The Royal Family get all devotional over deliciously gauzy synth-scapes and razor-sharp hi-hats. If you didn’t buy “Drunk In Love” (aka “You Are Not Alone” 2.0), “Anytime” will likely be more your speed, as unlike Jayonce, CiCi and Future have actual discernable chemistry and actually feel like they sleep together.

It also works so well, because they just fit each other perfectly. Future is content to fall back and let his lady drive, and just absolutely nail all of his parts in his signature style. They are a devastating combination. It’s wistful, sexy, and just a little melancholy. In other words, it’s everything a great love song should be, and “Anytime” marks another successful collaboration between the two of them. I fucking love this.

Stream This Shit: Angel Olsen, Burn Your Fire For No Witness

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Angel Olsen
Burn Your Fire For No Witness (out 2.18 on Jagjaguwar)

NPR has the stream of one of the most ballyhooed albums of the first quarter, and on first listen, the hype is well-deserved. The Saint Louis-native’s follow-up to 2012’s excellent, Half Way Home, is a multi-faceted folk-rock record that balances gorgeous, finger-picked ballads with ramshackle, fuzzy grit. Very few folk artists are as versatile as Olsen, and it’s awesome to hear her many talents all on display in one place.

Stream it at NPR.

Watch her take on four new tracks at an NPR Tiny Desk Show.

Hot Jam of the Day: Oscar Key Sung, “Holograms”

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Oscar Key Sung
“Holograms”
Holograms EP (out 3/3 on Two Bright Lakes)

The Melbourne-based singer-songwriter is finally set to drop his debut EP, and the disc’s title track is an subtly exquisite, down-tempo slab of  90’s R&B-influenced modern soul. The shadowy vocalist’s work is probably best filed next to the work of emotional, progressivists like Autre Ne Veut, How to Dress Well, and Jai Paul — artists who naturally sway a little closer to the margins.

Stream/Download This Shit: Giraffage x The-Dream, Love/Hate, The Remixes

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Giraffage x The-Dream
Love/Hate, The Remixes (Self-Released)

The San Francisco beatsmith drops an unfukwitable take on St. Terius’ classic debut LP. There isn’t much to say, except that life is good. Pretty, pretty, prittaayy good.

Album of the Week: Marissa Nadler, July

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Marissa Nadler
July (out now on Sacred Bones)

It’s difficult to write about the 32 year-old’s reflective folk without evoking images of dusty attics, tucked-away closets, and old cardboard boxes in the garage. While her music certainly has that antique/heirloom feel, it’s mostly hard not to use the aforementioned modifiers because her music feels so homey and domestic. That’s not to say it’s boring, rather it plays on the reality that often the most fascinating, revealing stories are the ones that lay in the homes that we live in and the imperfect hearts that we have.

Nadler spends the disc’s 11 tracks ruminating on those kinds of feelings, lacing her mellifluous, haunting vocal over ornate, spare, meticulously-crafted chamber folk arraignments. Though the Massachusetts-native fixes her gaze outward on elegiac first single, “Dead City Emily,” much of July is decidedly inward-facing, evoking the reflective nature of winter. The overall feeling of the record is perhaps best summed by the disc’s heart-wrenching finale, where Nadler signs off with “Maybe it’s the weather, but I’ve got nothing in my heart.” While dispiriting on paper, there is real hope in her voice. There is hope in the transient nature of the season, and there is hope blooming of new flowers just around the corner. Feels about right on this 28-degree, February day.

Stream This Shit: Hiss Golden Messenger, Bad Debt

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Hiss Golden Messenger
Bad Debt (out now on Paradise of Bachelors)

It’s barely been a month, and it’s already shaping up to be a helluva year for the folk-inclined. We’ve already been treated to a lovely LP from Julie Byrne and a new Lost in the Trees LP (which, I frankly haven’t quite got to yet), and we’ve still got Mark Kozelek’s monstrous, Benji, and new albums from Angel Olsen and Jessica Pratt (hopefully) on the horizon. Another gem, a proper release of North Carolina-based Hiss Golden Messenger’s rustic LP, Bad Debt, was released earlier this year without much fanfare. It is a woodsy, contemplative songwriting masterclass that sees vocalist M.C. Taylor getting all spiritual in his rural home in rural Pittsboro, North Carolina. The results are both aesthetically pleasing and hard to shake off. Lovely.