Lana Del Rey, "Doin' Time"


Lana Del Rey"Doin' Time"Sublime OST (out soon on Universal)If you grew up in California in the early 2000's, it was just about impossible to get in someone's car or go to a party that wasn't playing one of those two Sublime albums. Evidently, the same was true in wherever Read more

Images & Words: Stormzy, "Vossi Bop"


Stormzy"Vossi Bop"Digital SingleAfter a little while away, the London kingpin looks to be getting back in the game. "Vossi Bop" is a perfect comeback track because it is such a pure distillation of what makes Stormzy a true-one off. Over a tasty, yet simple beat, Big Mike goes in Read more

The Round-Up: The Best Songs of 2019 (1st Quarter)


Even though we're a solid week into the second quarter, better late than never right? Here's a quick round-up of some of my favorite songs of the last three months. To keep numbers manageable, I didn't include anything from any of my favorite albums list and prioritized songs I Read more

The Round-Up: The Best Albums of 2019 (First Quarter)


Gah, I can't believe we're already 25% through 2019. That said, Spring is in the air, and we've enjoyed an excellent, diverse crop of music during these first three months. Have a look at some of my favorite LPs of the year so far in no particular order. Dawn Richard
 “New Read more

Chief Keef, "Ain't Gonna Happen"


Chief Keef "Ain't Gonna Happen" GloToven (Glo Gang / RBC) The Chicago stalwart's new project with the legendary Zaytoven is unsurprisingly full of weird and wacky sounds, moving in innumerable unexpected and exciting ways. Its most powerful moment is its starkest, as a heartbroken Keef floats freely over Zay's gorgeous piano. "Face dried Read more

Hot Jam of the Day: Kamaiyah, “How Does it Feel”

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Kamaiyah
“How Does it Feel”
Digital Single

Along with excellent projects from artists like Nef the Pharoah, Kehlani, Main Attrakionz, and Kossisko, this irresistible single caps off an excellent year for East Bay hip-hop and R&B. “How Does it Feel” is an intoxicating slab of updated G-Funk, pairing Kamaiyah’s sing-song flow with neon keyboards, a sticky bassline, and more than enough Bay Area slap. Though she’s only released two other proper songs (which are both worth checking out), it certainly feels like this could be the start of something big.

Hot Jam of the Day: FIFTY GRAND, “Time Will Darken It”

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FIFTY GRAND
“Time Will Darken It”
Helena’s Skin (out now, self-released)

While Elliott Onofrio’s new EP is teaming with darkness, there’s always just enough light seeping through the blinds to illuminate the subtle beauty in each of its six songs. The one that grabbed me most is probably its most palpably light number: the eery, cinematic “Time Will Darken It.” Its harp loop feels like one of those horror movie scores that somehow conveys both calmness and dread. It’s the music that plays in the beginning of the movie that foreshadows that the cute little kid that you’re getting to know is about to do some seriously horrible shit.

Hot Jam of the Day: ANOHNI, “4 Degrees”

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ANOHNI
“4 Degrees”
HOPELESSNESS (forthcoming on Secretly Canadian)

In a Facebook post announcing her 5th album, ANOHNI (formerly known as Antony) described the disc as ” an electronic record with some sharp teeth.” That is an apt description of its HudMo/Oneohtrix Point Never-assisted lead single, “4 Degrees,” a ferocious internal investigation into her (read: our) role in the myriad sins of the human race. Flanked by crashing, industrial percussion and skyscraping synths, ANOHNI’s unassailable, unique vocals are at their mellifluous best, soaring over the chaos below. Disarming in lyric and melody, it is stunning first statement from what could be a truly special LP.

Images & Words: Stormzy, “Standard”

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Stormzy
“Standard”
Digital Single

Michael Omari’s storming (pun intended) 2015 continues with this ravenous new single, debuted on the first episode of his Beats 1 show, #MERKY. While the South Londoner is also an accomplished singer, he brings an extra helping of bars to “Standard,” and they come in an unrelenting series of waves, like a Mauricio Pochettino press. There’s a real magnetism to Omari’s lyrics, and while he’s far from a punchline rapper, each line seems to stick in your head and is made to be shouted along with a mass of people. Hell, even his freestyles have become anthemic. At this point, there’s not much else to say, but I’ll need to think of something for my year-end “Best Of” list. All hail.

Images & Words: One Direction, “Perfect”

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One Direction
“Perfect”
Made in the A.M. (out now on Columbia)

It’s kind of incredible that the world’s biggest boy band and one of the most popular male artists dropped albums on the same day. And while the Biebs’ fourth LP has grabbed most of stateside column inches, One Direction first post-Zayn effort deserves more acclaim than it has received. Sharp, joyful, and chock-full of unforgettable melodies, Made in the A.M. is the rare 17-song album that doesn’t feel bloated, thanks to its lean, efficient songwriting. Standout single, “Perfect,” is a perfect example of the disc’s muscular craft, as it packs one of the strongest hooks of the year. Throw in a fantastically bitchy Taylor Swift kiss-off from ex-Harry Styles (“if you’re looking for someone to write your breakup songs about”), and you have another unstoppable 1D anthem, sure to captivate arenas and Twitter feeds around the world.

Hot Jams of the Day: Goldmund, Three Songs from “Sometimes”

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Goldmund
“A World I Give” (f/ Ryuichi Sakamoto) / “As Old Roads” / “Sometimes”
Sometimes (out 11.13 on Western Vinyl)

Judging from these three tracks, prolific composer Keith Kenniff may be about to unleash one of the finest albums of the fourth quarter. The Berklee College of Music graduate’s beautiful, contemplative ambient music got the attention of legendary composer, Ryuichi Sakamoto, who lends his golden fingers to the stirring “A World I Give.” Its melody is both graceful and angular, and its cinematic quality makes it near impossible to close your eyes without picturing a scene in your head. Like most ambient music, these songs will probably sound even better in the context of the album, which is one that I’m dying to hear.

Hot Jam of the Day: Foxing, “Indica”

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Foxing
“Indica”
Dealer (out now on Triple Crown)

While traveling through the Australian outback in my teens, my group and I were having the age-old “would you or wouldn’t you?” debate about whether you would kill someone if you were forced to go to war, when our grizzled guide turned around and gave our hypothetical some heavy reality. He recounted being confronted with child soldiers, whilst deployed at the height of the Rwandan Genocide. It was one of those stories that sticks with you, a glimpse into the depth of war with the horrifying clarity that can only be delivered by someone who experienced it firsthand.

Josh Coll of STL quintet Foxing is another with firsthand experience. A devastating post-mortem of time spent serving in Afghanistan, “Indica” is the rare war song penned from memories, rather than movies, books, or imagination. Erudite, poetic, and totally crushing, Coll grapples with what what he’s done and seen overseas and what it means for the man who came back. You won’t hear more affecting lyrics this year, and though Coll doesn’t sing them himself, vocalist Conor Murphy’s expressive vocal gives them extra weight. The prose is expertly paired with a lonely guitar, mournful military horn, and a touch of snare roll. It’s one of the most difficult songs I’ve heard this year, but also one of the most special.

Hot Jam of the Day: Jlin, “Nandi”

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Jlin
“Nandi”
Free Fall (out 11.27 on Planet Mu)

Fresh off releasing one of 2015’s strongest debuts, April’s Dark Energy, the Gary, IN footwork producer (né Jerrilynn Patton) treats us to a victory lap in the form of a new EP. First single, “Nandi,” is sparser than much of her frenetic debut with sensual vocal samples laced through skittering hi-hats and rolling hand drums. The track has an aerobic quality, almost as if it’s trying to catch its breath. And while that could easily be traced to the genre’s hyper-speed dance steps, the songs alluring vibes seem to allude to something else that makes it very tough to catch your breath. Ahem.

Hot Jam of the Day: Wet, “Losing All We Knew”

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Wet
“Losing All We Knew”
Digital Single

Though it’s billed as a b-side to their excellent recent single, “Weak,” this crushing, gorgeous track is far from a throwaway. In fact, it’s atypical of much of the trio’s bulletproof back catalog. For one, vocalist Kelly Zutrau pushes her affecting voice into the highest register we’ve heard so far, straining to deliver devastating lines “Did you ever want something so much that your world came apart?” Another exciting new development is its delightful strummed acoustic guitar, which is very Everything But the Girl/Tony Rich Project. More than anything, it’s another keeper from a band that just never disappoints. If this song wasn’t strong enough to make their forthcoming debut LP, Don’t You, I cannot wait to hear what was.

Images & Words: Grimes, “Flesh without Blood/Life in the Vivid Dream”

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Grimes
“Flesh without Blood/Life in the Vivid Dream”
Art Angels (out 11.06 on 4AD)

While the blogosphere rages about whether Claire Boucher has ‘gone pop’ (whatever the fuck that means), the 27 year-old has simply got on with it. Over the last 18 months, she’s crafted a clutch of bangers that defy labels and genres (other than “fucking great”), and it all looks to be building up to what could be a 2015-defining LP — her fourth full-length, Art Angels.

This week, we got our first real taste of it with the propulsive, elastic “Flesh without Blood” and the heady, emotional ballad, “Life in the Vivid Dream.” The former strikes the perfect balance between Boucher’s distinct, experimental core and her impeccable ability to craft streamlined, inarguable hooks. And though the latter runs under two minutes, it is far from an afterthought, highlighting the disarming power she holds in her vocals and lyrics. #PopGrimes or not, it’s a breathtaking, vital sound that is all her own.