Lana Del Rey"Doin' Time"Sublime OST (out soon on Universal)If you grew up in California in the early 2000's, it was just about impossible to get in someone's car or go to a party that wasn't playing one of those two Sublime albums. Evidently, the same was true in wherever Read more
Stormzy"Vossi Bop"Digital SingleAfter a little while away, the London kingpin looks to be getting back in the game. "Vossi Bop" is a perfect comeback track because it is such a pure distillation of what makes Stormzy a true-one off. Over a tasty, yet simple beat, Big Mike goes in Read more
Even though we're a solid week into the second quarter, better late than never right? Here's a quick round-up of some of my favorite songs of the last three months. To keep numbers manageable, I didn't include anything from any of my favorite albums list and prioritized songs I Read more
Gah, I can't believe we're already 25% through 2019. That said, Spring is in the air, and we've enjoyed an excellent, diverse crop of music during these first three months. Have a look at some of my favorite LPs of the year so far in no particular order.
Dawn Richard
“New Read more
Chief Keef
"Ain't Gonna Happen"
GloToven (Glo Gang / RBC)
The Chicago stalwart's new project with the legendary Zaytoven is unsurprisingly full of weird and wacky sounds, moving in innumerable unexpected and exciting ways. Its most powerful moment is its starkest, as a heartbroken Keef floats freely over Zay's gorgeous piano.
"Face dried Read more
Posted onMay 2, 2017byTP1.COMinImages & Words|Comments Off on Images & Words: DJ Khaled, “I’m The One” (f/ Quavo, Justin Bieber, Chance the Rapper & Lil Wayne)
DJ Khaled
“I’m The One” (f/ Quavo, Justin Bieber, Chance the Rapper & Lil Wayne) Digital Single At this point, DJ Khaled’s tracks are basically musical text chains between the biggest artists on the planet. It’s kinda like he just puts out late-night mass “U Up?” text to his entire contact list, and the first four that respond get a verse. It’s a high variance strategy. But it works for him, because as easy as it is to discard the songs that don’t pop, it’s impossible to avoid the ones that do.
This airy, trop-housey summer tune is one of the latter, evidenced by its 42 fucking million views in four days. And those numbers are no surprise, because it’s got all the hallmarks of a Khaled classic. Intoxicating, catchy chorus? Check. Tuneful, sticky verses? Check. Khaled ad libs? Obvi. Most importantly, it got the green light from the greatest young A&R man in the business, Asahd Khaled. Bless up.
I skipped last month’s album Round-Up to bang out the My Favorite Tracks of the First Quarter list. So this month’s album list features my picks from March and April. Possibly the strongest batch of the year so far, 2017 is shaping up to be another incredible year in music.
Mount Eerie A Crow Looked At Me P.W. Elverum & Sun I can’t remember two albums released back-to-back that provide such stark, unflinching looks at death as Mount Eerie’s incredible, A Crow Looked at Me, and Sorority Noise’s brutal You’re Not As ____ As You Think. And while I can relate to some of the tragedies that color the Sorority Noise LP, I cannot even begin to fathom the loss that Phil Elverum chronicles on his ode to his late wife Geneviève Castrée, who passed away from pancreatic cancer at the impossibly early age of 35. Elverum was always crafted deeply affecting songs, but he was also an intensely private figure who seemed to craft albums from some faraway galaxy.
Well, on A Crow Looked At Me, Elverum eschews every inch of that privacy. He lets us all into the deepest crevices of his life — from their bedroom to moments with their daughter to uncomfortable conversations at the grocery store to the life they shared deep in the Washington woods. Though the arraignments are skeletal in the extreme — mostly consisting of Elverum’s strained vocals and meandering, nylon string guitars — each of the eleven tracks are incredibly rich. Not with just information about the characters, but with legitimately insightful, universal wisdom that only this kind of grief can leave behind. An absolute masterpiece.
Sorority Noise You’re Not As ___ As You Think Triple Crown While Elverum penned his record about losing the one you love, the Sorority Noise album is about the especially unsettling feeling that takes place when you are young and lose multiple friends in quick succession. When you feel like every time the phone rings, you will be confronted by another tragedy that you won’t be equipped to deal with. When you start to believe that death is around every corner.
“Just this year I lost a basketball team to heaven” sings Cam Boucher on “Disappeared.” Artists tend to wrap loss in metaphor to soften the blow, but Boucher (like Elverum) is not here to make you comfortable. There are a number of moments on the record that are physically unsettling, as if you are reading someone’s deeply personal journal behind their backs.
It’s not a walk in the park, but as the album moves, little rays of hope start to cut through the clouds. Much of that comes from their raw, yet tuneful riffs and Boucher’s sneaky catchy choruses. It also comes from the knowledge that as the days go by and the shock wears off, it becomes easier to remember your friends as they were in life, not in death.
Mr Mitch Devout Planet Mu On the total other end of the spectrum comes the longtime TP-favorite’s second LP. Absolutely teaming with life, the disc is bookended by two gorgeous love-letters. The first is to his partner, which features Mitch’s young sons on vocals. And its heartfelt closer sees Mitch singing to his second son while he was still in the womb.
These are just two of the truly heartfelt, affecting moments on this special album. Mitch has always been a master of building hyper-melodic, emotional soundscapes that drive miles beyond the parameters of grime. But the songwriting on Devout far surpasses anything else he’s put out in his already glittering, genre-redefining career. Probably my favorite album of the year so far.
HEAVEN
“It’s Not Enough” Digital Single
It doesn’t take a musicologist to hear producer Johnny Jewel’s fingerprints on this romantic, slow-burning new single from the newest signing to his label, Italians Do It Better. Though details about the artist remain scarce, this luxurious, stylish ballad is a strong enough statement to stand on its own and hints that we may be hearing a lot more about her (them?) in the future.
Mac Demarco
“One More Love Song” This Old Dog (out 05.05 on Captured Tracks)
Though he’s spent much of his career lapping up critical plaudits, the 26 year-old’s hipster goofball persona never resonated with me. Maybe I’m a killjoy, but I always struggled to find any real heart or heft in his music. However, his third LP’s pre-release tracks have been consistently excellent, and this windswept ballad is the best of the bunch.
The tears of the clown motif is old and tired, but it’s damn near impossible to avoid when writing about “One More Love Song.” Over languid jazzy chords and a timeless piano chorus melody, DeMarco examines the moment when the freedom of playing the field is replaced by a deep desire to find real connection. More than anything, he just sounds exhausted here — sick of the whole goddamn thing. And in my experience, that’s usually when you meet someone. So hang in there Mac, I’m sure you’ll find what you’re looking for soon.
Laurel Halo “Jelly” Dust (out 06.23 on Hyperdub)
The lead single from the Berlin-via-Michigan producer/vocalist’s forthcoming third LP is one of the poppiest and most direct tracks of her career. I mean, it’s Laurel Halo, so it’s fucking weird. But it features a mostly clean, surprisingly smooth vocal line that guides the listener through the off-kilter drum patterns and eclectic instrumentation. The result is an exciting, unexpected trip that isn’t a drag to get through.
How to Dress Well
“Strong Enuff” Our First 100 Days (for Stereogum) To this day, there’s still nothing that sounds like Tom Krell’s early, pre-Love Remains work. And though his development has been extremely impressive, it’s nice to hear him lurking back in those sonic swamps on this gorgeous Sheryl Crow cover. Krell has always been a wizard at reinterpreting pop songs and dragging them to unexpected emotional places. “Strong Enuff” is another example of this, fitting in well with other magical versions of R. Kelly’s “I Wish,” Janet’s “Again,” and Smog’s “Teenage Spaceship,” among others.
War on Drugs “Thinking of a Place” Digital Single “Thinking of a Place” is first new piece of original music from the Philly group since Lost in the Dream — one of the best albums of 2014. And, my god, was it worth the wait. An expansive and beautiful mid-tempo ballad, it features some of Adam Granduciel’s richest and most melodic songwriting.
Over windswept acoustic strums and a restorative lead riff, Granduciel yearns for a fading connection with an affecting restlessness and melancholy. You can feel him reaching for something that he can’t quite grab and trying to find his way back to a place that doesn’t exist anymore. Most rock songs have no right to go on for 11 minutes, but this one could go on for twice as long. Just stunning.
Kara-Lis Coverdale Grafts Boomkat
Rejoice! The ever-reliable Montreal musician dropped a characteristically contemplative surprise album yesterday. Across three aqueous tracks, Coverdale blends soothing synth drones with splotches of piano, which forms a masterful mood that ebbs and swells for 22 gorgeous minutes.
Julianna Barwick “Wade In” Our First 100 Days (for Stereogum)
Though Julianna Barwick’s music tends to glide ethereally above the clouds, this cut feels grounded, anchored down tightly and rooted in concrete. It isn’t surprising that she wrote a song like this for a compilation about the president. And it’s easy to imagine her sitting at her piano, shaken but not defeated. Though “Wade In” is heavy and doleful, there’s still hope and beauty seeping through the cracks. As there always is.
Playboi Carti “Magnolia” Playboi Carti (Interscope)
It’s mid-April. The weather’s warming up. And it’s about that time we start thinking about songs of the summer. “Magnolia” — the best moment from the 21-year old rising star’s debut LP — is an early candidate for the crown. For three exhilarating minutes, Carti rides a magical wave of delayed synths, provided by the previously unknown Pierre Bourne. What he lacks as a lyricist, Carti makes up for in raw charisma, dropping a handful of quotable bars that I’m looking forward to hearing blasting out of windows all summer long.