Lana Del Rey, "Doin' Time"


Lana Del Rey"Doin' Time"Sublime OST (out soon on Universal)If you grew up in California in the early 2000's, it was just about impossible to get in someone's car or go to a party that wasn't playing one of those two Sublime albums. Evidently, the same was true in wherever Read more

Images & Words: Stormzy, "Vossi Bop"


Stormzy"Vossi Bop"Digital SingleAfter a little while away, the London kingpin looks to be getting back in the game. "Vossi Bop" is a perfect comeback track because it is such a pure distillation of what makes Stormzy a true-one off. Over a tasty, yet simple beat, Big Mike goes in Read more

The Round-Up: The Best Songs of 2019 (1st Quarter)


Even though we're a solid week into the second quarter, better late than never right? Here's a quick round-up of some of my favorite songs of the last three months. To keep numbers manageable, I didn't include anything from any of my favorite albums list and prioritized songs I Read more

The Round-Up: The Best Albums of 2019 (First Quarter)


Gah, I can't believe we're already 25% through 2019. That said, Spring is in the air, and we've enjoyed an excellent, diverse crop of music during these first three months. Have a look at some of my favorite LPs of the year so far in no particular order. Dawn Richard
 “New Read more

Chief Keef, "Ain't Gonna Happen"


Chief Keef "Ain't Gonna Happen" GloToven (Glo Gang / RBC) The Chicago stalwart's new project with the legendary Zaytoven is unsurprisingly full of weird and wacky sounds, moving in innumerable unexpected and exciting ways. Its most powerful moment is its starkest, as a heartbroken Keef floats freely over Zay's gorgeous piano. "Face dried Read more

Hot Jam of the Day

Hot Jam of the Day: Dawn Richard, “Blow”

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Dawn Richard
“Blow”
Blackheart (out 01.15.15 on Our Dawn)

Let’s rewind to January of 2013. Things were really looking up for ex-Danity Kane vocalist Dawn Richard. Thanks two a pair of excellent, well-received projects — 2012’s Armor On EP and 2013’s fan-fucking-tastic Goldenheart — the 31 year-old looked to have uncovered the most elusive gift in pop music: a second chance. No longer a footnote in Bad Boy’s checkered post-Biggie history, Richard was part of an exhilarating new generation of R&B futurists, ready to drag the once conservative genre into the 21st century.

In the face of all the forward momentum, Richard took the surprising decision to look back, reuniting with her former Danity Kane bandmates (save, the oft-divisive D. Woods) and crafting their third LP. No matter how fire “Show Stopper” still is (believe me, it is), the world doesn’t seem to be too into the return of Aubrey O’Day, and the album dropped to minimal fanfare yesterday, a couple months after DK 2.0 called it quits.

Ever the survivor, today Richard announced a proper follow-up to Goldenheart and a new single, the deliciously slinky “Blow.” It’s hard to imagine the New Orleans native not questioning the decision to have spent the better part of last year looking back, especially considering how artists like Tinashe and FKA Twigs blew up this year. Whether or not she actually cleared space for either much younger artist, her sound certainly shares many of their aqueous, slow-burning hallmarks. Hopefully for her, Blackheart will also share their mainstream appeal.

Hot Jam of the Day: NZCA Lines, “New Atmosphere”

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NZCA Lines
“New Atmosphere”
New Atmosphere 7″ (out 12.08 on Moshi Moshi)

Well, this is a nice surprise. After a few years away, NZCA Lines (né Michael Lovett) returns with a new single and a potential follow-up to his excellent 2012 self-titled debut. “New Atmosphere” features the same icy new wave/synth-pop sound of his debut, and Lovett’s lovelorn vocals remain some of the most pleasing in the genre today. He’s also someone who has always been able to employ new agey production and imagery without veering into tired irony or pastiche, and it’s great to have him releasing new music again.

Hot Jam of the Day: Dan Bodan, “A Soft Opening”

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Dan Bodan
“A Soft Opening”
Soft (out 10.28 on DFA)

The Berlin-based vocalist’s debut LP is the star of my forthcoming “Fall Albums to Watch (Part Two)” column, so I won’t say much else except that its gorgeous, 18+-produced opening number is a keeper. Over the last couple of years, Bodan has carefully constructed a sound all his own, weaving his dreamy, dramatic vocals over consistently progressive soundscapes. Though he continues to be hopelessly underrated by the American press, make no mistake, Soft will likely end up one of the year’s finest albums.

Hot Jam of the Day: Young Chop, “Valley” (f/ Chief Keef)

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Young Chop
“Valley” (f/ Chief Keef)
Still (out 10.28 on Chop Squad)

Back in 2012, nobody could have predicated that the duo behind the earth-shaking, propulsive “Don’t Like” would have grown into such sonic mad scientists this early in their career. Tyree “Young Chop” Pittman is widely credited with creating Chicago’s drill sound, but as soon as it broke nationwide, Chop turned his back on drill and focused on crafting evocative, layered melodies and developing his songwriting chops (buh dum pish). As his producer spread his wings, so did Keef. The 19 year-old has spent the last two years relentlessly messing with his vocals, and he has cemented his place in a new breed of rappers who are reimagining what “gangsta rappers” should sound like. While much has changed for both artists in the last two years, one thing hasn’t. They’re still great together, and long may it continue.

Hot Jam of the Day: Jessie Ware, “Sweetest Song”

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Jessie Ware
“Sweetest Song”
Tough Love (out 10.21 on PMR)

I wrote last week about my anxiety about the second LP from TP uber-fave Jessie Ware, but this lovelorn slow-burner certainly helps curb some of it. Much of the Londoner’s best work is her most restrained, when she forsakes the over the top, TV commercial chorus for the stifled and the subtle. “Sweetest Song” is good Jessie at her best, as she smears her expressive, low-register vocal over the kind of sparse, sultry arrangement that helped make her debut one of the best albums of that year. Let’s hope the rest of Tough Love follows suit.

Hot Jam of the Day: Yumi Zouma, “Alena”

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Yumi Zouma
“Alena”
Digital Single (Cascine)

The New Zealand post-chillwave (ugh) trio returns with a twinkling new single that features a surprisingly hearty dash of dancefloor-ready bass. The added heft is a pleasing compliment to their sleepy dream-pop vibes with Kim Pflaum’s playful, alluring vocal sounding more virile than in their previous work. Whether “Alena” remains a sonic outlier or marks a stylist shift for the group, it stands as one of the strongest statements of their young career.

Hot Jam of the Day: Sun Kil Moon, “War on Drugs: Suck My Cock”

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Sun Kil Moon
“War on Drugs: Suck My Cock”
Digital Single

Already the subject of some eye-rolling #thinkpieces (I’m lookin’ at you Stereogum), Mark Kozelek’s hilariously Kozelekian new single “War on Drugs: Suck My Cock” is just as delightful as it sounds. The Koz keeps his jabs benign in the extreme, with lines like “bridge and tunnel people ’em some War on Drugs.” Listening to a guy who sings finger-picked folk songs about heartbreak, death, and long drives up the coast call another band “the whitest band I’ve ever heard” is worth the price of admission alone. Often accused of being humorless, it’s ironic that Kozelek is taking heat for this, especially when this song is just a more flagrant expression of the gallows humor that runs through all of his albums. More like this please, Mark.

Hot Jam of the Day: Tinashe, “Bet” (f/ Devonte Hynes)

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Tinashe
“Bet” (f/ Devonté Hynes)
Aquarius (out October 7 on RCA)

Already the owner of one of the year’s most undeniable singles, the 21 year-old is set to take aim at interstellar pop domination with her debut LP. For the disc’s third single, the LA resident teamed with established (indie) hit maker, Devonté Hynes of Blood Orange, to craft this lurching new single. Much of Hynes’ most notable songwriting credits (Sky Ferreira’s “Everything is Embarrassing,” Solange’s “Losing You”) tread deftly between moody heartache and bouncy radio pop, but “Bet” is a darker, more opaque affair. It pairs a jilted, expressive powerhouse vocal performance with undulating synth layers and rolling hi-hats to devastating effect. More than anything, it highlights the young vocalist’s versatility and hints that there will be a lot more to Aquarius than radio-friendly fare.

Hot Jam of the Day: Ryan Hemsworth, “Snow in Newark” (f/ Dawn Golden)

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Ryan Hemsworth
“Snow in Newark” (f/ Dawn Golden)
From Forthcoming New LP

Everyone’s favorite DJ/Pokemon enthusiast, Ryan Hemsworth, returns with a feels-focused slow jam, blessed by Dexter “Dawn Golden” Tortoriello’s perma-bummed baritone. While Hemsworth is best known for his dancefloor filling remixes, much of his solo work has veered toward singer/songwriter world, and “Snow in Newark” is perhaps the strongest all-original composition he’s penned yet. Over a choppy bed of emotive percussion, Tortoriello pines for a loved one from the solitude of a hotel room. It’s a feeling that you’d imagine that Hemsworth knows well, as he adjusts to life as a touring musician, and you can feel the lonely days and nights all over this track.

Hot Jam of the Day: RL Grime, “Reminder” (f/ How to Dress Well)

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RL Grime
“Reminder” (f/ How to Dress Well”)
VOID (out 11.18 on WeDidIt)

After three solid years of cranking out EPs, remixes, and singles, Henry “RL Grime” Steinway is finally ready to make a full-length statement. How to Dress Well’s expressive falsetto is the perfect partner for Stienway’s labyrinthine, emotive arrangement, and the artists combine to devastating effect here. While he is known much more for his club friendly cuts, the LA-based producer shows his chops as a songwriter, crafting a melodically lush canvas for Krell to glide over. It’s a new sound for Steinway, but it’s a welcome one.