Lana Del Rey, "Doin' Time"


Lana Del Rey"Doin' Time"Sublime OST (out soon on Universal)If you grew up in California in the early 2000's, it was just about impossible to get in someone's car or go to a party that wasn't playing one of those two Sublime albums. Evidently, the same was true in wherever Read more

Images & Words: Stormzy, "Vossi Bop"


Stormzy"Vossi Bop"Digital SingleAfter a little while away, the London kingpin looks to be getting back in the game. "Vossi Bop" is a perfect comeback track because it is such a pure distillation of what makes Stormzy a true-one off. Over a tasty, yet simple beat, Big Mike goes in Read more

The Round-Up: The Best Songs of 2019 (1st Quarter)


Even though we're a solid week into the second quarter, better late than never right? Here's a quick round-up of some of my favorite songs of the last three months. To keep numbers manageable, I didn't include anything from any of my favorite albums list and prioritized songs I Read more

The Round-Up: The Best Albums of 2019 (First Quarter)


Gah, I can't believe we're already 25% through 2019. That said, Spring is in the air, and we've enjoyed an excellent, diverse crop of music during these first three months. Have a look at some of my favorite LPs of the year so far in no particular order. Dawn Richard
 “New Read more

Chief Keef, "Ain't Gonna Happen"


Chief Keef "Ain't Gonna Happen" GloToven (Glo Gang / RBC) The Chicago stalwart's new project with the legendary Zaytoven is unsurprisingly full of weird and wacky sounds, moving in innumerable unexpected and exciting ways. Its most powerful moment is its starkest, as a heartbroken Keef floats freely over Zay's gorgeous piano. "Face dried Read more

Hot Jam of the Day

Hot Jam of the Day: Future Brown, “Talkin Bandz” (f/ Shawnna, DJ Victoriouz)

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Future Brown
“Talkin Bandz” (f/ Shawnna, DJ Victoriouz)
Future Brown (out 02.24 on Warp)

Nguzunguzu, Fatima Al Qadiri, and J-Cush don’t give a fuck about your year end list. “Talkin Bandz” is the kind of banger sure to throw a wrench in any self-respecting blogger’s “Best Of” list. It’s a potent concoction made of a cascading arrangement, a couple of monster verses from Chicago vet Shawnna, and a languid hook from DJ Victoriouz. Best of all, “Talkin Bandz” comes with the news of a long-awaited debut LP from the quartet, which is likely to be one of the hottest releases of 2015. All hail.

Hot Jam of the Day: James Blake, “200 Press”

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James Blake
“200 Press”
200 Press EP (out 12.08 on 1-800-Dinosaur)

Though he hasn’t released any official new music this year, the London boy genius has been hard at work, dropping a handful of exquisite one-off tracks on his can’t-miss BBC Radio 1 Residency. A radio rip of the Andre 300-flipping “200 Press” has been floating around for the last few months, but today we found out that it would be getting a proper release. Part of a three-song EP that may include 2014 bangers like “40455” and “Building It Still,” this cut gloriously harkens back to Blake’s early beat-driven days of CMYK and Klavierwerke, reminding us what a master he is at manipulating and placing vocal samples. As much as I love his two proper studio LPs, his production work was game-changing and responsible, in part, for the creation of an entire genre, and it’s brilliant to see him continue to grow as a producer as well as a singer-songwriter.

Hot Jam of the Day: Tink, “Tell The Children”

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Tink
“Tell The Children”
Digital Single

In these disheartening times, we need powerful, impactful voices like Tink’s.

RIP to Michael Brown Jr. and the many other innocents who have been tragically taken far too soon. May they find justice and peace in the next world.

Hot Jam of the Day: Tobias Jesso Jr., “Hollywood”

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Tobias Jesso Jr.
“Hollywood”
Digital Single

The world needs another piano ballad about how tough it is to make it in Hollywood about as much as Hollywood needs another cheap, shitty vintage store. That said, the Vancouver songwriter’s poignant break-up ballad with the city rings a little deeper than most, thanks to both his firsthand experience of not making it and his deft ability to stay close to his timeless source material (John Lennon, Randy Newman) without letting it overpower his own. Songs like this and the gorgeous, can’t-miss, “True Love,” feel like the work of a young artist still sifting through his early influences and searching for his own voice. And, when the early “figuring it out” phase yields these kind of results, it’s hard not to get excited about where he could go from here.

Hot Jams of the Day: Last Lizard, “Detroit (Excerpt)” & “Dickie’s Theme”

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Last Lizard
“Detroit (Excerpt)” & “Dickie’s Theme”
Digital Singles

Fresh off announcing the dissolution of his Dirty Beaches project (tear), Alex Zhang Hungtai returns with two more slabs of instrumental, bleary-eyed sonic wanderings. Though he is sporting a new moniker, these two songs follow a natural progression from Stateless: DB’s cavernous, wondrous final album that dropped earlier this month.

While Stateless explored the overwhelming nature of being a single soul lost in a vast world, these singles seem to speak to the other side. They capture the quiet, contemplative nature of a person synthesizing that vastness into a microscopic portion that they can understand. and call their own Much of Dirty Beaches’ music dealt with searching the great expanse of the outside world for a place to call home. Maybe, with Last Lizard, Hungtai has finally found the home he sought by looking inward, instead.

Hot Jam of the Day: Keep Shelly in Athens, “Fractals”

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Keep Shelly in Athens
“Fractals”
Digital Single

When the Athens duo announced the departure of original vocalist Sarah P back in January, I assumed that it would be the last I’d hear from the dream poppers. Surprise, surprise, just 11 months later, they’re back with composer RΠЯ joined by new vocalist, Myrtha. “Fractals” sees the re-tooled group staying in their windswept, Balearic pop lane with Myrtha’s celestial vocals beautifully framed by washes of reverb, nu-wave bass, and some taut, The Edge-style guitar licks. The track is a solid addition to that “Dreaming of Summer” playlist you play to get through the winter, and it’s an exciting new beginning for the still-promising group.

Hot Jam of the Day: Jessica Pratt, “Back, Baby”

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Jessica Pratt
“Back, Baby”
On Your Own Love Again (out 01.27.15 on Drag City)

Ugh, it’s good to have Jessica Pratt back in our lives. Her 2012 debut is a bewitching slab of mystical Laurel Canyon magick with Pratt’s slinky, plaintive vocals weaving across dusty, fingerpicked nylon strings. It reminded me of a cassette I would have heard in my mother’s Volvo station wagon. You know, the one where the tape inside the plastic had twisted in places and much of the label would have rubbed away: crackling, road-worn, and imperfect. It takes me back to a time when music was most precious and valuable — a little world you could get lost in while your Mom was driving you to the grocery store or wherever. Those transportive properties are on full display here, as she picks over the bones of a broken relationship with the kind of bittersweet melancholy that’s just as timeless as her sound.

Hot Jam of the Day: Tropics, “Blame”

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Tropics
“Blame”
Rapture (out 02.17.15 on Innovative Leisure)

Home has always been a central theme of young songwriter Chris Ward’s sublime, evocative music, culminating with 2013’s quality, Home & Consonance. Though the Southampton native comes off as reserved and camera shy, his best work is intimate and direct, pulling the listener’s face close while it whispers Ward’s secrets, fears, and feelings to you without reserve. It lets you into that home he cherishes.

“Blame” is another example of , as he pines for the death of a relationship that he admits culpability for. If delivered wrong, lyrics like “Blame me for all of it / Come back home” evaporate into vapid cliché, but Ward sounds genuinely heartsick here, stewing over the remains of something important that he let slip through his fingers. It’s the kind of crime you only realize you committed after it’s too late to fix it. It may not be a track you want to relate to, but I bet it’s one you will relate to.

Hot Jam of the Day: T-Pain, “Stoicville”

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T-Pain
“Stoicville”
Stoicville: The Phoenix (out in 2015 on Nappy Boy)

It’s pretty depressing that it took an auto-tune free NPR performance for America to show a modicum respect to one of the finest hit-makers of the last decade, but these are depressing times. If you argued that Eddie Van Halen and Tom Morello’s usage of distortion pedals them frauds, you would rightly be called an atavistic, unreasonable dipshit. However, few would say the same if you slated T-Pain for running his (very good) voice through a vocal processor. In fact, most people would probably agree that this devalues his standing as a musician.

This faulty logic has been used (by dipshits) as a stick to beat the ATLien for most of his 10-year career. To them, I present some facts. At just 29 years of age, T-Pain has already sang on and co-wrote fifteen (15!!!!) US Top 10 Singles, including at least seven pieces of musical WD-40 that will set any dancefloor/club on the planet ablaze. He’s also consistently put younger artists over, providing them with the kind of anthemic, gold dust choruses necessary to introduce rising talent to the masses. More than anything, he’s just an affable, super talented dude who has spent his entire career soundtracking good nights out with friends and long nights in between the sheets. And, the vocal processing he’s used makes him no less of an artist than your favorite guitar-wielding rawker.

All those aforementioned facts are why we should be celebrating T-Pain’s 10 years in the game. Fuck a Tiny Desk Concert. Fuck your Twitter approval. Hell, fuck this exquisite, acerbic slab of lyrical majesty that puts his ridiculously versatile skill set on blast. More than anything, fuck the fact that if this was a Kendrick Lamar track, all those dipshits would be fawning all over it.

Full Crate x Mar: “Nobody Else”

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Full Crate x Mar
“Nobody Else”
Digital Single (out 11.09)

The underrated Dutch duo — producer Full Crate and vocalist Mar — return with a toned down re-skin of their sweltering, 2013 deep house banger of the same name. On this version, Full Crate strips away the original’s ever-present backbeat and opts to build around hypnotic, stabbed synth chords and Mar’s seductive tenor. The talented duo always does a great job of maintaining balance, ensuring that neither Full Crate’s scintillating arrangements nor Mar’s impressive vocals overwhelm the other. The result is music that is consistently better than the sum of its very impressive parts.