Lana Del Rey, "Doin' Time"


Lana Del Rey"Doin' Time"Sublime OST (out soon on Universal)If you grew up in California in the early 2000's, it was just about impossible to get in someone's car or go to a party that wasn't playing one of those two Sublime albums. Evidently, the same was true in wherever Read more

Images & Words: Stormzy, "Vossi Bop"


Stormzy"Vossi Bop"Digital SingleAfter a little while away, the London kingpin looks to be getting back in the game. "Vossi Bop" is a perfect comeback track because it is such a pure distillation of what makes Stormzy a true-one off. Over a tasty, yet simple beat, Big Mike goes in Read more

The Round-Up: The Best Songs of 2019 (1st Quarter)


Even though we're a solid week into the second quarter, better late than never right? Here's a quick round-up of some of my favorite songs of the last three months. To keep numbers manageable, I didn't include anything from any of my favorite albums list and prioritized songs I Read more

The Round-Up: The Best Albums of 2019 (First Quarter)


Gah, I can't believe we're already 25% through 2019. That said, Spring is in the air, and we've enjoyed an excellent, diverse crop of music during these first three months. Have a look at some of my favorite LPs of the year so far in no particular order. Dawn Richard
 “New Read more

Chief Keef, "Ain't Gonna Happen"


Chief Keef "Ain't Gonna Happen" GloToven (Glo Gang / RBC) The Chicago stalwart's new project with the legendary Zaytoven is unsurprisingly full of weird and wacky sounds, moving in innumerable unexpected and exciting ways. Its most powerful moment is its starkest, as a heartbroken Keef floats freely over Zay's gorgeous piano. "Face dried Read more

Hot Jam of the Day

Hot Jam of the Day: Memoryhouse, “Sarah”

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Memoryhouse
“Sarah”
Soft Hate (out 02/09, self-released)
Behold! It’s the third track from one of our most anticipated albums of the new year. It’s precisely the kind of evocative dream-pop that the Guelph, Ontario duo does so well, pairing Denise Nouvion’s faraway vocals with Evan Abeele’s lush instrumentation. Like excellent lead single, “Dream Shake,” “Sarah” is pepped up by a buoyant bass-line and a fairly prominent backbeat that gives their wistful vibes a welcome injection of pace.

Stream This Shit: The-Dream, IAMSAM

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The-Dream
IAMSAM (self-released)

It’s a Christmas miracle! Yesterday, King Terius blessed us with a surprise EP of faithful Sam Cooke covers, inspired by his late mother. Nash sang poignantly about her on 1977‘s stunning, “1977 (Miss You Still),” and IAMSAM gives us more insight on Nash’s strong relationship with his mother and their shared love of Sam Cooke. Aside from the affecting backstory, Nash’s voice is a perfect match for Cooke’s timeless songwriting and melancholy lyrics.  It’s been a difficult year in Dream-Land, but this collection assures 2015 ends on a high note.

Hot Jam of the Day: Jack Red, “Sometimes”

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Jack Red
“Sometimes”
Digital Single

It’s the day before your wedding — what are you thinking about? The flowers, your hair, keeping your stepdad away from the bridesmaids? Not Jack Red. Jack Red is THINKING ABOUT ANOTHER GIRL?!?!? DUDE, WHAT ARE YOU DOING??? While his wedding is likely to go worse than Mark’s from Peep Show, at least it yielded a breathtaking song, and “Sometimes” highlights the Chicago singer’s evocative vocals and affecting storytelling. At the risk of being hyperbolic, there’s a hint of Nostalgia, Ultra here, from the soaring falsetto to the non-traditional R&B arrangement. He’s only just getting started as a solo artist, and it will be fascinating to see how 2016 plays out for him…and this marriage.

Hot Jam of the Day: Ryn Weaver, “Promises” (MssingNo Remix)

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Ryn Weaver
“Promises” (MssingNo Remix) 
Promises Remixes

Undaunted by the mediocre, plodding Tumblr-pop source material, the ever-reliable MssingNo pinpoints the best part of the original — Weaver’s strong, stately vocals — and brings them to life with a beautiful, swirling arrangement. From Brandy to R. Kelly to (my all-time fave) Teedra Moses, the shadowy Londoner is a master of isolating a vocal and twisting it around itself until it is nearly unrecognizable. While Weaver’s vocals aren’t as chopped as much of his work, he uses them tastefully, only really unleashing their power on the climactic final chorus. The result is an absolute anthem that deserves to be setting dancefloors on fire across the planet.

Hot Jam of the Day: Sevdaliza, “One Armed Lullaby”

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Sevdaliza
“One Armed Lullaby”
Digital Single

One of the brightest breakout artists of 2015, the talented vocalist puts a cap on her excellent year with this wistful bedtime story. She’s already crafted two extremely strong, underrated EPs — The Suspended Kid and Children of Silk — and one of the finest videos of the year, and “One Armed Lullaby” features many of the hallmarks of that excellent work. Her music has real restraint, and she uses negative space more effectively than just about anyone (FKA Twigs?), punctuating her breathy, muscular vocals and adding extra contrast to her oft-undulating arrangements. It’s an affecting, delicious sound, and I’d be shocked if her career doesn’t explode in 2016.

Hot Jam of the Day: Kamaiyah, “How Does it Feel”

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Kamaiyah
“How Does it Feel”
Digital Single

Along with excellent projects from artists like Nef the Pharoah, Kehlani, Main Attrakionz, and Kossisko, this irresistible single caps off an excellent year for East Bay hip-hop and R&B. “How Does it Feel” is an intoxicating slab of updated G-Funk, pairing Kamaiyah’s sing-song flow with neon keyboards, a sticky bassline, and more than enough Bay Area slap. Though she’s only released two other proper songs (which are both worth checking out), it certainly feels like this could be the start of something big.

Hot Jam of the Day: FIFTY GRAND, “Time Will Darken It”

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FIFTY GRAND
“Time Will Darken It”
Helena’s Skin (out now, self-released)

While Elliott Onofrio’s new EP is teaming with darkness, there’s always just enough light seeping through the blinds to illuminate the subtle beauty in each of its six songs. The one that grabbed me most is probably its most palpably light number: the eery, cinematic “Time Will Darken It.” Its harp loop feels like one of those horror movie scores that somehow conveys both calmness and dread. It’s the music that plays in the beginning of the movie that foreshadows that the cute little kid that you’re getting to know is about to do some seriously horrible shit.

Hot Jam of the Day: ANOHNI, “4 Degrees”

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ANOHNI
“4 Degrees”
HOPELESSNESS (forthcoming on Secretly Canadian)

In a Facebook post announcing her 5th album, ANOHNI (formerly known as Antony) described the disc as ” an electronic record with some sharp teeth.” That is an apt description of its HudMo/Oneohtrix Point Never-assisted lead single, “4 Degrees,” a ferocious internal investigation into her (read: our) role in the myriad sins of the human race. Flanked by crashing, industrial percussion and skyscraping synths, ANOHNI’s unassailable, unique vocals are at their mellifluous best, soaring over the chaos below. Disarming in lyric and melody, it is stunning first statement from what could be a truly special LP.

Hot Jams of the Day: Goldmund, Three Songs from “Sometimes”

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Goldmund
“A World I Give” (f/ Ryuichi Sakamoto) / “As Old Roads” / “Sometimes”
Sometimes (out 11.13 on Western Vinyl)

Judging from these three tracks, prolific composer Keith Kenniff may be about to unleash one of the finest albums of the fourth quarter. The Berklee College of Music graduate’s beautiful, contemplative ambient music got the attention of legendary composer, Ryuichi Sakamoto, who lends his golden fingers to the stirring “A World I Give.” Its melody is both graceful and angular, and its cinematic quality makes it near impossible to close your eyes without picturing a scene in your head. Like most ambient music, these songs will probably sound even better in the context of the album, which is one that I’m dying to hear.

Hot Jam of the Day: Foxing, “Indica”

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Foxing
“Indica”
Dealer (out now on Triple Crown)

While traveling through the Australian outback in my teens, my group and I were having the age-old “would you or wouldn’t you?” debate about whether you would kill someone if you were forced to go to war, when our grizzled guide turned around and gave our hypothetical some heavy reality. He recounted being confronted with child soldiers, whilst deployed at the height of the Rwandan Genocide. It was one of those stories that sticks with you, a glimpse into the depth of war with the horrifying clarity that can only be delivered by someone who experienced it firsthand.

Josh Coll of STL quintet Foxing is another with firsthand experience. A devastating post-mortem of time spent serving in Afghanistan, “Indica” is the rare war song penned from memories, rather than movies, books, or imagination. Erudite, poetic, and totally crushing, Coll grapples with what what he’s done and seen overseas and what it means for the man who came back. You won’t hear more affecting lyrics this year, and though Coll doesn’t sing them himself, vocalist Conor Murphy’s expressive vocal gives them extra weight. The prose is expertly paired with a lonely guitar, mournful military horn, and a touch of snare roll. It’s one of the most difficult songs I’ve heard this year, but also one of the most special.